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Review of Lee Anna Paylor's Presentation

Lee Anna Paylor, as well as her quilts, stands out in a crowd, especially a crowd of quilters of the Baltimore Album. Her October program, a diametric opposite of what one would expect at a BAS meeting, forced the audience out of a more comfortable position - sitting in chairs. But very soon the members and guests were taking part in a playful examination of their creativity. We played games of imagination: what colors would taste like, what our houses sound like, what food we are - games that led us to look at ourselves. The Greek teaching, "Know Thyself", (lets ignore the other words at Delphi, "Nothing in Excess") in Anna's interpretation becomes a lighter concept: to know the fantastic within ourselves, to know the playful. She suggests that we play with our quilting - "if you do not like something that you are making put it in a bag with some one else's name on it." She argues that we don't have to be afraid to throw some things away. Ah I feel the pain already! But she comforts us by quoting, "I am going to keep my clutter; I collected it."

Other advice: "We need time - time to stare into space; buy tools - gadgets that we may never use; collect fabric just to touch it - 'our stroking fabric'; use mistakes to create something different and never tell others the mistakes that we have made; take classes - put together all that we have learned from our many teachers; try other crafts that will cross over to quilting; use our memories."

She suggests a design wall, our own space with lots of light, deadlines, and plenty of UFO's - unfinished objects. Lee Anna asked us to be aware of our five senses - three of each for each moment - three sounds, sights, tastes, smells, textures. She believes in quilt challenges - unusual ones that force the quilter to move to the farthest spot in the comfort zone and 'then to take a step sideways', and move farther.

Lee Anna Paylor's quilts reflect her philosophy of creativity. They are hot off the press - many made in several days; filled with brilliant colors, three-dimensional embellishments with beads, buttons and lace, metallic thread, even painted leaves (real ones); she uses whimsical characters - many self-portraits and pictures of dogs - flosses, reverse machine applique, machine trapunto, glitter, face painting, fantasy flowers with loose petals without using fusible web: all machine made. From the influence of her life as a watercolorist, she adds fabric painting to the wealth of color in her designs.

She gave us a lesson in creativity, freedom, imagination, and much other wise advice for living a healthy life.

Janet Esch




Quilts From October's Meeting

Quilts by Lee Anna Paylor

Lap Quilt 1

"Love is Like Dancing"

Lap Quilt 2

Anna's Quilt of her beloved dog

Lap Quilt 3

"See Spot Run"

The Keeper of Clutter

"The Keeper of Clutter"

The Keeper of Clutter

"Fish"


More Quilts

Jan's Quilt

Jan Carlson shows her latest Album

Barbara's Quilt

Barbara Buchanan shows her Baltimore Album quilt


Images from Marjorie Mahoney's "Til Death Us Do Part", a tribute to her husband, Ed Mahoney

Til Death Us Do Part

Marjorie Mahoney's Bird

Bird

Marjorie Mahoney's Grapes

Grapes

Marjorie Mahoney's Corner

Detail of Corner


Marjorie and Jan.jpg

A Baltimore Album of baskets and roses



Margo Cramer's Quilt

Margo Cramer's Quilt


Emily Koon, featured in the October Society Sampler, creates a quilt every year.

Baltimore Quilt

This Baltimore Quilt won 2nd place at the New York State Fair in 2004

Theorem

"Theorem"



Pictures by Barbara Buchanan, Copyright 2004 Baltimore Applique Society